Auntie Dressed as a Villain - Chapter 89

For Qin Shuonan’s personal design show, the show is arranged as a quaint Chinese courtyard.

Many people can’t help but marvel at the big catwalk designed as an ink bamboo forest when they enter such a courtyard.

And this is just a glimpse of this courtyard. The other classical and magnificent Chinese style courtyard scenery are all overwhelmed by the guests.

This is just the setting of Qin Shuonan’s solo design show. Her main design works have not yet appeared.

But before the show started, every guest stared wide-eyed, found their place to watch the show, and then “looked around” dizzyingly to watch the courtyard setting of the show.

They are all too amazing with the Chinese-style courtyard setting design.

Chen Yundao is a famous master of traditional Chinese painting. He is 67 years old this year. He is actually not interested in costume design show exhibitions, but he and the curator are close friends. He himself has held a solo exhibition in this hall, so he received The invitation letter the curator gave him, Chen Yundao, because of many emotions, reluctantly came to see it.

Before coming, Chen Yundao invited him to the curator and said that this would be a design show he likes. He didn’t listen to his heart. He still felt that it was a scene from the curator, but when he took the VIP invitation letter, he walked into the hall. , He knew that the curator did not lie to him.

Not to mention the creative classical Chinese courtyard show design, Qin Shuonan’s design style is right for the taste of his old people. The ink bamboo forest that has surprised many people is even more exciting for masters of traditional Chinese painting like Chen Yundao.

He had never seen such a bamboo forest set with artistic conception. If he hadn’t known it was a personal show, he would have liked to run into that bamboo forest and close his eyes to feel the ink art inside.

As for the scenery in the other courtyards, Chen Yundao didn’t have any extra thoughts to look after he entered the museum. He has been staring at the catwalk designed by the ink-and-wash bamboo forest, intoxicated by this unique and creative show.

However, the surrounding people eagerly watched the entire set of the show, and then found that several areas were in darkness. At that time, these people didn’t know what surprises were waiting for them in those dark areas.

But the surprise of entering the set has made them feel that they have enjoyed a visual feast.

After the show started with the guests one by one, as if they were attending a banquet, they were scattered around the courtyard, and they realized that this was not a single visual feast, but an audio-visual feast.

Qin Shuonan’s personal design show opened with Guqin sound.

Before the opening, there were also guests present who could not help whispering and whispering.

At this time, there will usually be staff who are on-site to maintain order, which is suitable for the opening of the big show. Please keep quiet.

However, Qin Shuonan’s show did not have staff to remind him, because as soon as the guqin sound of the show opened, the people who heard it couldn’t help but quiet down spontaneously.

And that’s just the effect of the obvious audition of the Guqin player.

As soon as the guqin pine’s deep and far-reaching rhyme came out, many people heard the quiet meaning of “the sound of heaven and earth”.

The impetuous heart instantly calmed down with that sound.

Therefore, the show scene with noise just now became silent in an instant. Master Chen Yundao was surprised by the sudden change in the atmosphere, but he was even more surprised that as the surroundings calmed down, after the guqin audition, the person who touched the piano sat alone. In the secluded bamboo groves of ink and wash, the three-tone interlacing of the formal fuqin produces an endlessly changing and long-lasting phonology.

This kind of rhyme is in the ink bamboo forest. The ink bamboo forest is a set of dead objects, and it instantly becomes like water, light and cloud shadows, and the anger of insects and birds.

This kind of anger makes people look at the light and shadow of the ink bamboo forest beginning to show the faint light, and immediately think of Dongfang Yuxiao. It has just dawned and the morning light is faint.

It is indeed the morning light, because with the light of the ink bamboo forest from dark to bright, Qin Shuonan’s personal clothing design work show officially opened.

The first one to gradually walk out of the bamboo forest at twilight was a pair of lantern-bearing boys.

The boys are Xiao Cunyu in a pure black military uniform, and a little girl in a pure white uniform.

The two children walked out from the depths of the bamboo forest, carrying the ancient lantern, accompanied by the quiet and distant sound of the guqin. Everyone was amazed at their distinctly different temperament in civil and martial arts.

What’s even more amazing is that when Xiao Wusheng and Xiao Shusheng walked to the front of the bamboo forest with lanterns, they were designed as a showcase for the crosswalk. They did not do the fixed-point modeling like the regular model catwalks, but put down the lanterns to all the audience, respectively. A martial arts ceremony and scholar ceremony were performed.

Then Xiao Cunyu, wearing a black martial arts uniform, picked up the lamp and walked towards the round wooden lattice door on the left side of the scenery not far from the bamboo forest with a short knife.

The little girl in a white cultural uniform carried a knife, carrying a bookcase, and walked to the wooden lattice gate not far from the bamboo forest with the scenery on the right.

Those two wooden lattice doors are carved with exquisite window lattices. Someone has noticed before that the wooden lattice doors with the charm of traditional Chinese culture are erected there like the two most exquisite artistic picture frames, but they don’t know which wooden lattice. The door is for exit.

Now that these two gates are stepped in by Xiao Wusheng and Xiao Shusheng, they unconsciously think that after that, behind the long corridor, there will be a martial arts field and a courtyard study room with limited venues that have not been built.

This is also the most beautiful oriental beauty in the beauty of Chinese architecture.

And this kind of oriental artistic conception became the first time that many people have a deep understanding of the beauty of Hanfu with the men and women of Hanfu who came out of the bamboo forest of ink and wash.

Those Hanfu men and women walked out of the ink bamboo forest with the pure and elegant, clear and long sound of the guqin. They did not perform traditional ancient rituals to the people at the scene. They were only fresh and elegant, or elegant and quiet, or gentle, or elegant and unrestrained. Many people walked out. From the Chinese clothes on them, I can feel that behind the gorgeous Han clothes is the style of a great country that has been passed down for thousands of years in China.

Behind this style, there is also the tolerance of China as a country of etiquette.

This kind of tolerance has been made by the Hanfu men and women who walked out of the bamboo forest of ink and wash. Many people have begun to feel the pride of China for the profoundness and profoundness of Hanfu culture. This is the first theme of Qin Shuonan’s personal clothing design show. Of exhibits.

The main theme of this theme is the extremely elegant Chinese style, so it “blooms” in the ink bamboo forest.

After that, other themed exhibits kicked off in another setting venue, and the guests knew that the ink bamboo forest was not the main runway of the entire exhibition.

The other T station is set on the ground with a winding trough that looks like a dragon and a snake. Those who understand traditional customs will know that it is a curved water flow for entertaining guests.

Therefore, on this swaying display platform, the model who walked out wearing clothes designed by Qin Shuonan was accompanied by Sizhu Tingge.

In the clothing design exhibition on this theme, Qin Shuonan’s design works are based on the traditional and classical Hanfu art, adding innovative designs with modern elements.

Chinese traditional costume elements that have been deposited for thousands of years are combined with modern design. Models wear them with more and more exciting drum music, and the more and more brisk pipa and other silk and bamboo ensemble music styles come out. It is really a thrilling audio-visual feast.

At that moment, many masters of art, headed by Chen Yundao, were amazed at the costume style created by the combination of ancient and modern.

It is estimated that they have seen the most perfect modern clothing design works that inherit the aesthetics of Chinese Hanfu and the exquisite clothing craftsmanship in their lives.

They couldn’t help but want to collect such “Chinese clothes” with national characteristics and strength. These are not the works of Chinese clothes that Qin Shuonan really defines in this solo exhibition.

The dress that Qin Shuonan really chose as the finale of today’s solo exhibition is another theme after Qu Shui Liu Qi.

The costume design of that theme, the main work is a gorgeous, noble and majestic dress, that is, Chinese clothes.

Those costumes are displayed in the dark exhibition area before.

Therefore, as the candle lights in the dark exhibition area were lit one by one, and the audience looked at the men and women in Chinese clothes who walked out of the middle section of Hua Deng Junior High School, they suddenly understood the name Qin Shuonan gave her for this solo exhibition-Prosperity and Prosperity. What is it?

In this prosperous age, with the lit candles becoming brighter and brighter, many Chinese people couldn’t help but red eyes with excitement.

Because the ultimate Chinese style dress is too beautiful, too gorgeous and elegant.

Such magnificence and elegance represent the most impressive display of traditional Chinese aesthetic art.

It shocks many Chinese who have forgotten the aesthetics of their ancestors know that the traditional aesthetic art of China is absolutely standing on top of the world.

This show gave all the guests a very shocking audio-visual feast.

But to choose this audio-visual feast, the guests in the audience feel that they are suffocated by beauty is a set of costumes and styles, which must be the twilight old man who appeared at the finale, the suit she wore.

The old man wore an ancient dress with a laurel and a cane and walked under the dazzling bright lights with a cane, and the world became dim in an instant.

Because the beauty of the old man in the ancient Chinese dress stayed with the audience, let the audience know that the years have never defeated the beauty.

The ancient dress on the old man and her makeup look are also breathtakingly beautiful, so beautiful that people know:

Our traditional craftsmanship is not bad, our traditional aesthetic art is not bad, everything is not bad, so contemporary people must not forget to inherit and continue the glory and continuation of our Chinese aesthetic culture because of the strength of Western aesthetic culture in modern times. Bright.

This is what many people like Hu Fei and Yan Ziqian once had a passion for Western culture have experienced after seeing Qin Shuonan’s personal design work.

With this feeling, let alone many old artists admire Qin Shuonan’s talent in this area, Yan Ziqian was deeply stimulated by his inferiority in this talent.

So he looked at the old man who made the finale and cried.

Crying, he seemed to be completely unworthy of such an excellent Qin Shuonan.

Hu Fei felt that he was 100% unworthy.

Because of Qin Shuonan’s artistic design skills, Hu Fei and the likes who have been influenced by art since childhood and well-informed children understand that her works will definitely make a sensation all over the world.

Not only a sensation in China, but a sensation in the world.

Qin Shuonan’s solo show will not only leave a strong mark in their Chinese fashion circle, but will definitely have a great impact on the world.

In this regard, as the designer of this show, Qin Shuonan did not have so many ideas. She just had a sense of accomplishment in design. After all the costumes were displayed, she led Xiao Cunyu and the other girl in the opening. With other exiting models, Yan Yan walked towards the old man who appeared under the finale of the Huadeng Show.

This finale, the old man is different from the regular show models who have to step down.

It was because Qin Shuonan took care of the elderly’s inconvenience in walking, and specially arranged for the elderly to help her show off the ancient dress designed by her not to leave the stage, and waited for them to come up on the stage.

Therefore, many guests saw that the old man did not leave, and thought that the solo exhibition was still going on. They didn’t know that the audiovisual feast of the ultimate Chinese style was over.

When Qin Shuonan brought all his works to the stage, under the bright lights, the costumes that appeared in everyone’s eyes at the same time were the guests who once again surprised the scene.

Among them, Qin Shuonan also wore a dress, walked in the forefront, walked to the old man with demeanor, released the little Cunyu and the little girl who were holding him, and supported the old man instead.

Then Qin Shuonan took all the models to give everyone a curtain call with a smile and nodded. I don’t know how many people have become a prosperous time for thousands of years.

Qin Shuonan ended the curtain call, listening to the thunderous applause of the audience, looking back at the bright lights, wearing the smiling faces of her designs, suddenly couldn’t help thanking her for coming to this era and witnessing the modern China’s generation is flourishing.

Such a prosperous age would make Qin Shuonan feel that their Qin clan guarded the country and made peace for future generations without regret.