King of Stage - Chapter 791

The year-end album chart shows the support rate of diehard fans; the year-end singles chart shows the frenzy of market popularity.

This is the same in the billboard charts, and it is also a phenomenon that has become more and more prominent in the changing times. The two charts are often prone to a subtle dislocation. A singer who performs well on the album chart may be on the singles chart. It will be slightly inferior, and vice versa.

Of course, this is not inevitable. It just means that things like Adele dominating the year-end album and year-end singles with “21” and “Falling into the Abyss” in 2011 are more difficult than before. It is already very, very difficult, and now it is upgraded to a new level of difficulty.

Looking at this year’s list, you can see one or two.

No. 1 on the year-end singles chart, “Blurring the Boundary”, Yiqi Juechen won the championship with absolute advantage, but Robin Sigg’s album of the same name only sold 1.1 million copies, ranking 30th on the year-end album chart. Seven.

The year-end album chart champion, “Mars Jukebox”, this year’s only album that sold more than 4 million yuan, and the album’s first wave of the main single “Gong Suo Heaven” ranked 16th on the year-end singles chart, and the second wave of the main singles. “When I was your man” fell to the 14th place on the year-end singles chart.

The dislocation of the double list can be seen from this.

However, it does not mean that it is absolutely impossible. The dumb punk band, One Day King, Pink Lady, etc., have both achieved good results on the album and singles charts.

The second place on the year-end singles chart is from the stupid punk band No. 4 on the year-end album chart, “Lucky”. This single is also known as a retro divine comedy, reigniting the disco and punk popularity in the 1980s. The trend has won the super popularity that is not inferior to the “blurring of boundaries”.

The third place on the year-end singles chart is exactly the King of the Day from the third place on the year-end album chart-to be precise, it should be from Ronan, or the top three on the year-end album chart. “The advent of “also created a real classic, detonating the enthusiasm of the market.

“Classic” is known as the “King of Card Two”. The consecutive crashes of several excellent singles including “Blurred Boundaries” have never made it to the top of the Billboard Championship. This is undoubtedly one of the “Tragedies of the Century”; but it is precisely because of this. Such topical gimmicks have brought more attention to the single, and the stamina is terrifying.

Waiting for the end of the year, when the year-end singles chart is hotly released, people noticed that in addition to the “blurred boundaries”, those who blocked the “classic” at the beginning have all been overtaken by the “classic”, even Far away, far behind, the gap is very obvious.

This also proves once again the truth that “the last laugh is the best laugh”. Although there is no singles chart that can reach the top of the bulletin board from the beginning to the end, the record of “Ka Er Tian Wang” has continued with great strength. I am afraid that it will be difficult to surpass in the future, and it can be regarded as a name in history. .

In addition, the seventh place on the year-end singles chart is also the King of the Day from the third place on the year-end album chart-this time is really from the band, “Falling Down”, this single dominates the seven-week billboard single champion. It is definitely one of the most popular works of this year, and the results are outstanding.

“Falling apart”, as the second champion single of King One Day, laid the foundation for King One Day to move from a niche to the mainstream in one fell swoop, completely changing the fate of the band; and the sharpness and uniqueness of the single itself also showed the color of the band, and The “lucky” of stupid punk is a beautiful landscape in this year’s music market, continuing a fact proved by the three big monster lists last year:

The so-called mainstream does not mean the elimination of edges and corners; while retaining individuality and color, it can also occupy a place in the mainstream market.

Therefore, refusal to follow suit, refusal to assembly line products, refusal to copy and paste, bravely innovate and break through, boldly persist in self, and maintain the vitality of music. This is the best way for the music market to regain its new life amidst the overall shrinking and downturn.

In addition to the above-mentioned first “blurred boundaries”, second “lucky”, fourth “classic”, and seventh “disintegrated”, the top ten of the year-end singles chart are:

Third place, “Shift-Shop”, McMur and Ryan Lewis.

Fifth place, “Wake-Me-Up”, Avicii.

Sixth place, “Just-Give-Me-A-Reason”, Knight Royce of Pink Lady and Huan Entertainment.

Eighth place, “Roar”, Katy Perry.

Ninth place, “Can’t-Hold-Us”, McMur and Ryan Lewis.

Tenth place, “Stay”, Rihanna and Mikky-Ekko.

Looking at the top ten, McMur and Ryan Lewis occupies two seats, Ronan also occupies two seats. The subject matter covers diversified music styles such as pop, rock, rap, electronic, punk, etc., a hundred flowers bloom; all singles The music source scores are all above 6 million, and the top seven music source scores all exceed last year’s third place in the “In the Mood for Love”, a hundred schools of thought contend.

The most important thing is that in addition to the unique style types that are different from the mainstream orientation of the mainstream market, such as “disintegration”, “lucky”, and “residence”, indie rock, folk, jazz and other niche types are also in the year-end singles. Race to bloom on the music chart.

“Radioactive ( by the Dream Dragons, ranked 11th. This single broke the longest time on the Billboard Singles Chart and replaced Jason Mayez’s “I’m Yours (I ‘m-Yours)’ has become a new historical record holder and has been on the list for 87 weeks.

Passenger’s “Let-Her-Go”, ranked 15th, wrote the miracle of folk songs, created a hot topic comparable to last year’s three major monster lists, and revived the long-lost and silent folk songs. Bring vitality to life and change history with the Shining Band.

Shining Band’s “Roar, hey”, ranked 17th. Needless to say, from the outside to the inside and then to the high position of No. 4, this single is undoubtedly one of the biggest highlights of the year, and it is even hailed as an independent ballad. Light.

Lord’s “Royal Nobles~www.mtlnovel.com~ ranked 18th. With this unique style of work, the 17-year-old New Zealand singer turned out to surprise countless people. Grammy won the nomination for Song of the Year and Best Pop Singer-but missed the nomination for the newcomer of the year. To some extent, it also broke through the glasses of countless people, which indirectly proved the fierce competition for the newcomer of the year.

Singles with different styles and genres have taken a place on the annual chart. This is undoubtedly the most exciting news in the current music market.

Compared with last year’s scene where the three big monsters hand in hand to brush the list, this year there are too many “weirds”, so people are not surprised.

However, in this, the king’s powerful momentum is still worthy of attention.

From the third place on the annual album chart to the two top ten spots on the annual singles chart, everyone can feel the unparalleled momentum of the King of One Day. At this moment, people also understand that the sturdy attendance rate of the “departure” tour In fact, it is not a miracle, but a result of course.

One day the king, already has such a momentum!

In this way, the four Grammy nominations are not unexpected surprises, but icing on the cake.